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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Danielle Boodoo-Fortune


From the Book of Beginnings

In the beginning,

I pulled my hair from the earth,

where it had grown into a white

mycelium web, and spread itself wide

across the mountain. I could still feel

the faint heartbeat of fungi and wood rot.

 

I rose up from the wild grass,

brushed the leaves from my hair

and walked. The sky groaned,

limestone hissed and cracked,

thousands of saplings arched

their spines shut behind me.

 

In the valley, my body became fruit.

I spread my fingers across the trailing moss

and grew and grew for a lifetime

until the sunlight became too much to bear.

 

 

In the beginning,

I built myself a house with no windows.

I tore the great palm heart from my chest

and fed it to the young that had sprung up

in my footprints, mewling and wet.

 

The more I licked them, the colder they became,

so I built them rooms made of feathers and moss.

My body grew softer, larger,

rough and luminous like a boa.

The children were afraid, so I became fearless.

Because they were afraid,

I ate the world, spat out the antlers.

 

 

The children cried out for fire

so I learned to make it from stone.

They wept for water, so I dug deep

till it pulsed up from clay.

They grew into beautiful, fearsome creatures,

onyx eyed, sure-hooved and silver scaled.

One day I left the door open, and they fled

into darkness, leaving no tracks.

 

Alone in the valley, I longed to be a moon.

At night I became so weightless

that I could not bear my own skin.

In the windowless house, moths crept

from floorboards, burrowed

in my hair and against my throat

beat their paper wings against the wind

until we rushed through the walls and flew.

 

 

In the beginning, I had no name.

Before that, only darkness and longing.

 

Even now, it wells up in the undergrowth

through layers of mud, leaf and bone,

the chemical need of small creatures

iridescent and always in motion

small cogs clicking away among arterial roots.

 

Even now, it overgrows my house,

trailing each surface, climbing brick by brick

lining cupboards, gathering in corners,

the panicked red dust of unnameable remains.

When you have already been a mountain,

what is left to long for?

 

In the beginning, I was breath humming

through rough bark and tender shoot.

I was only mud and memory.

I lay myself down in the tall grass.

I long for nothing but home.


River, Roots, Sing Me Home

colorful watercolor drawing of a woman made of concentric geometric patterns and flowing brown hair that twists into shapes resembling tree roots or branches. the woman is crouched with her eyes closed; the upper right circle emulates a sun or moon.
watercolor and pen, 18″ × 12″, 2025

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Danielle Boodoo-Fortuné is a poet and visual artist from Trinidad and Tobago. Her art has been exhibited widely, and she is the illustrator of publications like the Earthcraft Oracle Deck (Hay House 2021) and The Jungle Outside (Harper Collins, 2022). Her first collection of poems, Doe Songs, was awarded the OCM Poetry Prize in 2019. Danielle was also shortlisted for the Montreal Poetry Prize in 2020. Her work has been published in numerous anthologies and journals.


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