after the photograph of children in the tea room with a nun, courtesy of the Adoption Rights Alliance
here: I will be gentle, dare I say
like your mother. The photo lies, proving
only coaxed and unlucky spoonfuls
of cold Spaghetti. Pouted lips stained
by stubborn tries, the same force
that snatched his small wrist one afternoon
in the carpark. He screamed, I screamed
We must be careful and I cannot
believe the mark of worry or was it fear? His own
mother asking What did you get up to this afternoon?
I tell myself there is no way he will remember
the taste of tomatoes wielded by my hand,
the color of my hair, or each time I struggled
to boost his chin to the window
saying look, a birdie: what does a photo hold
but what we could lift to that fleeting?
Snapshot, a weak post
to tie anything to. Flash, just that:
I set the child down and pick up
the stare of gaunt cherubs, captured
by black-and-white-forever-
captioned: Children sit in a tea room
with a nun posing for a photo. Looming
Sister in the corner, she is a moon
unphased. Impervious witness. Habit
whiter than the very mug and saucer set
before the hollow child. Cup an empty
bell, each shoe a small clapper ringing
in the girl-mother’s ear. Absent
from the frame, could she ever look
back? The ragged news-clipping fades,
weak tea, bad promise of gentle. Sun thinning
newsprint to gauze, a salve wrapped around
her hand, ripped so impossibly raw.
The poems “After toilet,” “Dropped Stitch,” and “of the photos I’ve sent to anxious mothers,” are dedicated to the mothers and children affected by the atrocities of the St. Mary’s Mother and Baby Home in Tuam, Galway.
The italicized quotation in “After toilet” is from an eye-witness account who gave birth in the Tuam Home in 1951.