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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Jennifer Litt and Jen Karetnick


Minerva and the Gardener

An owlet sits beneath the kohlrabi leaves,

motionless after its first flight straight down

from the nest, evicted by adults for lingering.

Fuzz still on its head like the skin on fruit,

the raptor fails to hoot and howl for rescue.

Instead, the pocket-size Minerva ponders shade.

 

When the gardener meets Minerva in the shade,

a huddled sphere in the waxy frill of leaves,

he wonders if he should call wildlife rescue,

restrains himself from stroking the downy

breast, for handling the bird is a fruitless

reward. Armor the owlet while it lingers

 

in suspended confusion and fear is a lingering

thought, but there’s only so much protective shade

that kohlrabi, a root vegetable as sweet as fruit,

can offer with its upwardly mobile leaves.

This goddess of medicine refuses to go down

without a fight, though. She knows her rescue

 

requires calling in favors from heroes she rescued

during former lives that in her consciousness linger.

The gardener needs a shoebox to lay her down.

Its fitted-sheet cover will be useful shade

once an ornithologist arrives for pick-up and leaves

with Minerva, holding her like a basket of ripe fruit.

 

The gardener waves farewell to Minerva—blessed fruit—

and turns to the vegetables that also need rescue,

lettuce with a green goddess dressing poured on leaves

that weren’t washed properly, sandy soil lingering.

A gritty task for him. He wishes to nap in the shade

of the maternal owl wings that usher in sundown.

 

It’s dark when he awakens in the wine cellar, down-

stairs from the kitchen, where all the fall fruit

sits, preserves mysteriously jarred, shelved in the shade.

Who ushered him to sleep with a notion of rescue?

He is the opposite of Cinderella lingering

at the ball. He spots orange eyes on a limb before they leave

 

for the downdraft and rising thermals that rescue

the gardener from doubts that like mushrooms fruit

in the shade. This longing for flight. It never really leaves.


Muse

Coffee brews like a poem, drop by drop.

Its strength depends on press and grind.

Baristas swirl lathered images in a cup.

Coffee brews like a poem, drop by drop;

a froth of ideas brushes, adheres to lips.

We dip like donuts into the dark shine.

Coffee brews like a poem, drop by drop,

its strength depending on press and grind.


Pie ABCs

At the Mennonite pie buffet,

blueberry-rhubarb is the rage, a butter-

crusted sweet-tart confection

dreamed up by Rumspringa teens.

Eat up! they encourage.

Forget about your waistlines for once. But

gut research notes you also have a brain.

How do you strike a mind-body balance

if you can’t control your appetite?

Jezebel’s spirit gives you this power.

Kin to corsets and self-incrimination,

liturgical baking is a new culinary art—God’s

mercy pleaded for with every pass of the rolling pin,

not meant for the pastry chef who is faint of heart

or whose arteries are occluded from cholesterol.

Pâte brisée is the dietary culprit here.

Quite the devilish dough, it’s an easy

recipe to make with a food processor, that

savior appliance, the dough blades a deliverance.

Tasting this heaven-sent dessert is salvation—

until chest pains wedge themselves like a pie server, so

vexing they require an emergency visit to the hospital,

which results in stents placed in two arteries.

X-rays indicate more diagnostic tests ahead. Meanwhile,

you take the nurses some Mennonite pie,

zested with lime and garnished with gratitude.

 


The Jen Karetnick/Jen Litt poetry collaboration began with a shared sense of humor and a love for food and poetic forms. We first met at the last in-person Palm Beach Poetry Festival in 2020. Out of respect and the need for connection, we began to talk about poetry, and each other’s work, conversations that now take place over delicious meals. Jen L used Jen K’s invented ekocento poetry form to write a poem for her current manuscript, and Jen K read Jen L’s poetry collection, Strictly from Hunger, the title an idiom meaning “tolerable in desperate circumstances.” Jen K then invited Jen L to read for her non-profit organization, SWWIM (Supporting Women Writers in Miami), which produces a poetry series at The Betsy Hotel on South Beach. The shared focus on the complexity of emotional and physical sustenance prompted us to write together in form, mostly about food and dining, which is a communal human experience—as is poetry.

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Jennifer Litt is author of the full-length poetry collection, Strictly from Hunger (Accents Publishing, 2022) and the poetry chapbook, Maximum Speed Through Zero (Blue Lyra Press, 2016). Her poems have been published in ellipsis…literature & artJet Fuel Review, Stone Canoe, SWWIM Every Day and other literary journals. She lives in Fort Lauderdale with her cat, Tiger Lily.

@jennifer.litt.5

Miami-based poet Jen Karetnick is the author of 11 collections, including Inheritance with a High Error Rate (January 2024), winner of the 2022 Cider Press Review Book Award. She has recent or forthcoming work in Atlanta Review, Pleiades, Plume, Shenandoah, Verse Daily, and elsewhere. A 2024 National Poetry Series finalist, she is the co-founder/managing editor of SWWIM Every Day.

Other works by Jen Karetnick »


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