Please help the Black Earth Institute continue to make art and grow community so needed for our time. Donate now »

a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Jeremy Jacob Peretz and Joan Cambridge-Mayfield


Faam/Bakdaam/To dii Tila
 
after Roland “Ras Lepke” Benjamin
 
Tek-don ya wariishii
an mek ya cutlas
tun painta bruum
se to di Taimz
stap! Kom a-
Lepkii bakdaam
an ya gon ameez fa sii
iz fruut iz flowa iz tii-
bush laik kyur-fu-aal
sep dem wa hed dun-na-gud
iz na evriibadii kud maad
bo dem-a-sheer-out
mental sortifiikeet laik tisyuu.
Mi chail wii an mii self tuu.
Iz a fain maadnis, laik
Juulyun wa kal di flim.
Mi nah gon mad nou
from di duu-duu—Mi
baazadii baad na schuupidii!
Bong fa liv an go we
waan djunkii
jombii juuka/maruun
fa ded:
laif
bush
todee.

Farm/Backdam/To the Tiller
 
 
 
Take off your warishi
and into broom
turn your sword
serve your injunction on
History! Enter
Lepke’s farm
and be amazed with
fruit and flowers and tea-
bush like cure-for-all
except madness
isn’t for everybody
yet they’re handing out
mental certificates like tissue.
Me too us too my child too.
A fine madness, like the
picture, Julian would say.
So I ain’t gonna go mad
over that shit now—I’m
insane not stupid!
Bound to live and die
as fiend
soul rebel/maroon
for death:
life’s
balm
today.


AI

Anytime I (/Ai) write Jumbi
with my phone it turns Jumbo
 
mumbo jumbo simi dimi mix up
mix up like we teacher call: shaka
 
shaka inglish. Dionne said: The Man
white-cap-black-cap in language we
don’t even know. Someone is taking
 
Joan’s memory, stealing thiefing lifting
and she can’t so we can’t no one refer
to one’s self any more. Our I and I and I
Ai an Ai an Ai an wii Kriiyaliiz
is missing. She write Ai and got trickified
 
smartness saying she is no longer
does not exist
does not matter
is not matter, is
 
Jumbi turn Jumbo
ready to haunt
some motherskunt
boneless, burned
retrieved from the pyre
smashed and mixed
and drunk
inhaled, re-membered
forgotten, for good/benefit
of all who’ve been touched
together, torn to be darned
damned to be a blessed
wii


Houseful of I-Selves

Restless memories process

beneath the canopy of house,

an understory five generations

and more have trod, slept, worked

homework and housework and

that work of the soul it takes to live

together.

 

Bottles staggered neatly on shelves

from veranda’s floor to ceiling facing

the road so passersby know. When

sunbeams strike the glass into flashes

empty vessels become filled whether

inside or outside domestic force field

boundaries. No Master resides

 

within nor without: Just Dolly: who

may be justifiably bitter, usually

a joy, always profound in emotion =

[meaning] feelings come before/are meanings

washing over one’s self, melting into many

selves. I and I and Is she [Dolly]

choreographs this flow of time movement—

 

jumbi rehearsing from crapaud yard floor

to pigeon ceiling and mouse spider beams.

 

We are dead and alive: hero speck and monster:

some joining

the fun: involved. Others like statues with

backs against walls, watching, waiting to be

called and recalled, consumed to be renewed, born

again

and again

and again

Itinually


Rasville Backdam

Videography by Rae Wiltshire

Share: 


Jeremy Jacob Peretz (San Francisco, USA, 1987) is author of Jombii Jamborii (forthcoming from Ugly Duckling Presse), a chapbook of poems written and translated collaboratively with Joan Cambridge-Mayfield in both Guyanese Kriiyaliiz (Creolese) and English. Jeremy’s scholarship has been widely recognized with fellowships and grants including from the Yerba Buena Center for the Arts, Institute of American Cultures, Ralph J. Bunche Center for African American Studies, Fowler Museum at UCLA, as well as the Caribbean Studies Association’s biennial Best Dissertation Award. Jeremy’s essays, poems, and films are available through such publications as African American Review, Anthropology News, Capitalism Nature Socialism, Caribbean Quarterly, Journal of Africana Religions, New West Indian Guide, and Postcolonial Text. Jeremy holds a PhD in Culture and Performance from the University of California at Los Angeles and teaches in the Faculty of Education and Humanities at the University of Guyana.

Joan Cambridge-Mayfield (Georgetown, British Guiana, 1940) is an environmental protector, Afro-feminist activist, former leading member of Guyana’s press corps, and author of the internationally acclaimed novel Clarise Cumberbatch Want to Go Home. In the 1970s Joan served Howard University’s Institute for the Arts and Humanities. By the 1980s Joan walked away from an appointed scholar’s desk at the Library of Congress to head for the Guyana rainforest, where she spent nearly two decades immersed in her environment, researching, writing, and working on her parcel of the “last of pristine Amazonia” at Yukuriba Falls on the Essequibo River. More recently, productions of Joan’s musical drama have received support from the United Nations. Her writing has appeared in the Antioch Review and was anthologized in Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present.


©2025 Black Earth Institute. All rights reserved.  |  ISSN# 2327-784X  |  Site Admin