Shot in stop motion after Randall’s motion was stopped due to hip surgery fall 2020, this work reveals and revels in the “broken” body, a body replete with the markings of its 40-year career in the dance trenches, its scars serving as sites of specific traumas and victories. Beyond being a meditation on middle age, this piece is also a reclamation of pleasure—for the collaborators, the viewer, even for the candy dish herself. Pleasure feels like the perfect antidote to the patriarchy these days.

The rough cut of this film was shared with the former Poet Laureate of Mississippi, Beth Ann Fennelly, and she wrote the companion poem based on the film’s imagery and their pen pal friendship over the years and the miles. The poem was then used to further shape the direction of the dance and the film’s editing (assisted by Carlos Flores of Watcheye Studio).