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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

John Menaghan


What Is to Be Done?

Kazimir Malevich

I shattered the blue boundary of
color limits, beat the lining
of the tinted sky, tore it
away, and in the sack
that formed itself
put color and
knotted it.
 
In my desperate attempt to
free art from the ballast of
objectivity, I took refuge
within the square form
exhibiting a picture
of nothing more
than a black
square on
a white
field.
 
Banned from making my art
inside of Stalin’s Russia,
paintings and writings
impounded, locked up
under suspicion of
being a German
spy, I died of
cancer five
years on:
15 May
1935.


GEE, O.K.

Georgia O’Keeffe

 

Gee, O.K.

Why not?

I guess I will.

My will,

I guess,

the only one

I need

to follow

now that

Alfred’s dead.

Do what I please.

Please

no one

but myself.

Make

art of

whatever

I choose.

 

Whatever

colors,

shapes

this

freedom

takes.

 

All mine

to mix

and mold

to my own

ends.

I like

the sound

of that.

 

I do.

I do.

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John Menaghan has published four books with Salmon Poetry: All the Money in the WorldShe Alone, What Vanishes, and Here and Gone. A fifth volume is forthcoming. A five-time Pushcart Prize nominee, winner of an Academy of American Poets Prize and other awards, Menaghan has published poems in Irish, British, and American journals including Ambit, Pratik, The Hopkins Review, Poetry Ireland, Revival, The Cuirt Journal, Brilliant Corners, American Arts Quarterly, nth position, Atlanta Review, The Adirondack Review, Berkeley Poetry Review, Occident, California Quarterly, and Jerry Jazz Review. Menaghan has given poetry readings in England, Ireland, Scotland, France, Hungary, Canada, and across the U.S. from New York to Honolulu. Several of his short plays have been produced, and one—A Rumor of Rain—appeared in The Hollow & Other Plays (Ed. M. Heather Carver & Kevin McFillen, ATHE Publications, 2008).


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