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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Chloe Yelena Miller


Almost Double-Digits

I think, let’s write that little man a birthday poem!

You’re going to be double-digits. A two-handed

milestone. All fingers or toes

match your years.

 

The laptop is open to Twitter; I see the news

(you know where this is going, right?)

of yet another shooting. The “yet” fits here

because it is this school’s second this year.

 

In a job interview, I said I think about school shootings every day.

The woman looked concerned for me. Every day?

she asked;

I nodded.

 

I cannot keep my students

or you

safe.

I cannot keep myself safe.

 

I wish you a world without guns.

That’s it. Not even success or happiness or a good bowl of pasta.

Just no guns.

 

Just the empty space where something shouldn’t be.


Rewind

“It’s also scary how unprepared our teachers and staff were for that.” – From the text messages on the cover of The Daily Tar Heel, 8/30/2023, after a UNC-Chapel Hill professor was shot to death.

Our son, 10, asked if I have

the kind of dreams

where you know you’re dreaming.

Where you can fast forward, rewind,

slow things down.

 

I didn’t know you could

manage or write dreams. Craft

the world you want.

 

My dreams were once

the smell of chocolate

or the startle of thunder

or oh, no, I missed class!

as a student or now a teacher.

 

This summer our child ran into an Italian field with friends

and a soccer ball. I sat with a new mom friend in the shade.

 

I trusted in him, our new friends, the dry grass below his feet,

sunscreen and bug spray

that he’d be safe

from gunshots here, far from America.

 

I wish the dreams that wake me up, paralyze me in the day,

were still about storms or a scheduling mishap.

 

Instead, I send him to school in America.

(He starts middle school today.)

I walk into a classroom to teach.

Last semester, my students who lived through COVID lockdowns

shared they had been through active shooter drills

and/or lockdowns

and/or shootings.

One had lost a friend to a bullet.

 

I am unprepared

to save them

our son

or myself

 

in a classroom,

the street

or anywhere else in America.

 

I cannot retool this nightmare for them

or him

or myself

alone.


Tappan Zee Bridge or
Making Narrative

I drive away from what was the Tappan Zee bridge and is now a different bridge. The first bridge slowly wound low across the river. Now demolished, replaced.

I drive past Sandy Hook. I’m only on the highway, but I remember the children. I hadn’t heard of the school or even the town until that day. I remember all that we didn’t do and don’t.

At our friends’ home, we swim, laugh, and eat together. The stars are hidden behind the clouds, but we are here, visible, wet and full.

The children spray water guns, I insist, not shoot. What can we change, control? They imagine the pool floats are ships, destroyed by pirates. They are lost, needing another boat, a map, dry land.

They pretend the couch inside is their new home. They are safe in the basement dark, hiding their map under a blanket.

Their play is a movie-in-making. The desire to record, remember. And edit into a narrative we can follow.

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Chloe Yelena Miller’s poetry collection, Viable, was published by Lily Poetry Review Books (2021) and her poetry chapbook, Unrest, was published by Finishing Line Press (2013). Miller is a recipient of three DC Arts and Humanities Fellowship (Individuals) grants. She teaches writing at University of Maryland Global Campus, as well as privately. Miller is the co-founder of Brown Bag Lit; she teaches and organizes events for them.


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