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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Ana Doina


The sea and the moon’s sigh

Go on, you minstrel of light verse, you

showman, jester, juggler of feelings.

Go on, recite your blossoming sunsets,

your crystal-clear seas, your songs

of boy meets girl and love’s eternal plight.

Go on, you’re right.

 

Who cares what else has been going on

around the world a thousand years,

a century ago, or only yesterday?

Your easy-going happy verses

are eternal, not my long, anxious

broodings.

 

A rosebud of a girl, pure and cheerful

like a robin in the spring, listening

to my poems, asks “What is Auschwitz?”

 

Her sister, wide-eyed and pink-cheeked,

wants to know if Stalin is a country

or a man. They both think that Project 2025

is the name of a Staten Island shelter for the homeless,

and though they nonchalantly wear miniskirts

and see-through blouses, take contraceptives,

go to school, to work, and dream of plump

paychecks, vacations, Ph.D.s, they consider

feminism some sort of a disease,

a shameful affliction, while hidden in the closet

my old burnt bra still holds billows of smoke

in its smoldering cups.

 

Go on, minstrel of light verse, you jester

and kind showman, you are right; there’s nothing

everlastingly worth singing about

but the lovely sea and the moon’s soft sigh.


Jesus on the sidewalk

Summer.

 

Noon offers no shadows,

no double meanings,

nothing oblique.

The sun-bleached town

forfeits tri-dimensionality.

 

7-year-old Jesus, mother illegally

waiting on tables at the diner,

father increasingly drunk,

doodles the sidewalk

in white chalk.

 

A suit-and-tie man rushes out

of City Hall. Chilled like a melon,

he smiles cordially through reforms—

welfare, taxes, minimum wages.

“Do you like the desert summer, Jesus?”

“You should try the New York blizzard,”

says Jesus. “Last winter, before we came here.”

 

Jesus sings to himself out of tune

about tomorrow, and someone’s love

moving west, and the all-around world.

“Always going west, we end up coming

back from the East,” he sings to himself.

 

The chalk is dust now. We all regain

some shadow, oblique aureole

of a shortly-past-noon sun going west

over shelterless Jesus, mother illegally

working at the diner.

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Ana Doina is a Romanian-born American writer. Due to political and social pressures, she had to leave Romania during the Ceauşescu regime. Her work appeared in national and international magazines, anthologies, and textbooks. In the last thirty years she has been, at one time or another, one of the coordinators of the group Bergen Poets, the leader of Leonia Poetry Forum, community-based organizations and study groups; and a workshop instructor in the JOY poetry workshop for the Middle School District of Oakland, New Jersey. She is now retired. She won Honorable Mention in the Anna Davidson Rosenberg Awards for Poems on the Jewish Experience contest in 2007, and she was thrice nominated for the Pushcart Prizes in 2000, 2002, and 2004. Her chapbook, The Later Generation, was published by Kelsay Books in 2024, and her full-length book of poems, Legend of Bread, is scheduled for publication by Legacy Press Books.


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