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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Shahrzad Taavoni


Leaving Mashhad

Seven was the epicenter of my pain

where all branches of my broken tree offshooted.

In one day, I lost my entire extended family.

Leaving Mashhad, where my heart is buried.

 

In my sleep, every night, I visit it.

In homage, I place intensely fragrant

yellow and pink roses lingering on the tomb

of my family’s memories.

 

I left behind my grandfather’s mansion

where heaven itself shifted its clouds

to touch its ground.

In the four-person swing

beside droves of perennial multicolored pansies.

 

My grandmother making lavashak

from our plum-filled orchard.

Letting the generous sun

dehydrate a thin layer of familiar sour-sweet tastes.

 

In summer’s nights,

we would dance in the garden.

Nighttime watering of

Lantana flowers would release

a luscious circular musk, hugging us.

 

My mother, brother,

uncle Hameed, aunt Naheed, aunt Gita

and my seven cousins—

laughing under the cheerful star-filled music.

Extending our hands, elegantly flying.

 

While my maternal grandparents

nurtured us with their gaze.

They, the link to our invisible ancestral cord.

Thousands more stood proudly, quietly loving us,

blending in the darker edges of the night.

 

Seven was the year I was spewed out

onto the Atlantic shore.

Wet and suffocating, separated from my home.

 

My only respite—

with my mother and brother

we became reunited in my father’s arms,

our tenacious savior.

 

Yet, how can perfection be left behind?

Where can I retrieve the fragments of my ruptured soul?


Oh Iran

I like to escape the four walls of my nostalgia

and guide you through the cracked skylight.

Fly together as two white doves

into the freedom of the supernal sky.

I want to nurse you back to health

while I nest in your arms

my dear birth mother.

 

For decades,

they polluted and marred you—

but you are wise, wondrous, and strong.

And your forest lungs will regrow and regenerate.

 

I hold on to your glistening garment—

one potent drop

satisfying my memories for decades.

 

Since our vast separation,

I still hear your festive kamancheh street music.

I still whiff the fire-roasted salty corn

and effervescent, fresh-cut cucumbers.

I still smell your vast, fragrant flower gardens

pigmenting with explosive, brilliant colors.

I still hear the honks of cars speaking Morse code.

I still hear the serenades of the call to prayer.

I still taste the rich, rose flower and saffron ice cream.

I still marvel at the insights of your patterned geometric architecture.

I am still in an embodied dance

swirling under your intricately patterned

Persian-rugged rooftop.

 

Lamenting, crying, pleading, and praying—

I await the day you will be free.

We who came from your stardust

have endured half a lifetime of patience

steadfast to our multigenerational, eternal hope.

And when that day breaks open

we will all suddenly cry a sea of fresh-water tears

that will purify our sorrows

feeding your drought-thirst soil

into an oasis

you are destined to be.


Los Angeles Transplant

I am a small part of a body

cut off from my roots. 

A pomegranate shoot 

transplanted in the soil 

of my next of kin: Los Angeles. 

 

Every morning 

LA’s sun jolts 

my heart to reset 

while every night 

my phantom heart 

buried in Mashhad 

awakens. 

 

Even if smog covers the air like steam 

and the rain forbids itself. 

Even if it’s too crowded 

too covered by asphalt,

I still want to grow 

in what is now my home. 

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Shahrzad Taavoni is a writer, artist, and licensed acupuncturist currently pursuing an MFA in Creative Writing at the University of Baltimore. She holds a Bachelor of Science in Psychology and dual master’s degrees in Acupuncture and Herbology. Her work has appeared in California QuarterlyAmethyst ReviewPersian Heritage MagazineSoul Forte JournalThe Closed Eye Open, and Loch Raven Review, among others. She has also served as a reader for Honeycomb Literary Press and an editor for Welter.


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