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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Renee Kalagayan


Pantoum for Minority Women in America in 2026

I am asking you to be less of who you are. Listen to me:

Don’t get groceries alone—take a blond friend with you.

Don’t answer the door if strange men knock.

Tell them you need a fresh warrant through a peephole or window.

 

Don’t go out alone—at night or, if you can manage, during the day.

Try braiding your hair, adding highlights, or dying it.

Tell your stylist you need a fresh look, a new cut or color—

blond or red or even purple. Go full MPDG. Copy Cyndi Lauper.

 

Try lightening your tan, adding highlight to your face, or hiding it.

Maybe use color contacts that aren’t brown—

blue or green or even hazel. Go full goth. Copy Gene Simmons.

Slather on white makeup. Assume the mannerisms of a man.

 

Maybe use an accent that isn’t yours—

American Southerner, Northerner—as long as it’s American.

Blather white phrases. Assume the mannerisms of a trad wife.

Write fewer poems about your Filipino grandparents

 

and more about the American South, North—as long as it’s America.

Forget that they moved here to flee a war, became legal citizens.

Write fewer poems about your Filipino grandfather

who worked for the USPS for decades. This land was never his.

 

Forget that you live here. This is war. You’re no longer a citizen.

Don’t open your car door if strange men walk up,

who work for any US agency. This land is not yours.

Listen, I am telling you to be less of who you are.


My American Body

My Filipina-American eyes like polluted rivers.

My Filipina-American crow-color hair, coarse as kudzu.

My Filipina-American olive tan, my banana skin.

My Filipina-American lips like blood orange gloss.

My Filipina-American thick brows raised like lookouts.

My Filipina-American arms swollen as tilled-up earth.

My Filipina-American legs crossing themselves, devout,

snakelike slender.

My Filipina-American hips, wide tripod stance.

My Filipina-American small stature framed in fear.

My Filipina-American womb, hollow as a spooned-out fig.

My Filipina-American round dumpling face at risk

of being consumed.

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Renee Kalagayan (she/her) is an Asian-American poet and editor from South Carolina, and a granddaughter of immigrants. Her work is inspired by her southern and Filipino roots, featured or forthcoming in Incandescent Review, The Dewdrop, Sídhe Press, Carolina Muse, Listening, and others. She is an MFA candidate at Converse University, where she manages social media and reads poems for South 85 Journal.


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