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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

Kathleen Hellen


O, Whitman

with kitbag and a lantern. the trails we marked w/

bighorn sheep and fox. w/ cottontail and black bear

are done. the primal forests hostage. the sky singed

w/ swirling particles.

the leaves of grass are leaving—O,

glint to which i’ve bent. blood pooling

on the asphalt. big brown eyes that fix

on nothing but the imprint of the sky. as if

remembering. i see myself reflected

in clouds that are the eyes that didn’t look both ways

before it crossed. the fawn that didn’t stop

for drivers on their cell phones. the trails we’ve marked w/

speeding cars. buses swerving so as not to crush

the body still alive. though barely breathing.


osprey

The oily bunker bait no longer serves as staple

forage. Hatchlings didn’t make it. Mothers gave up nests.

Something must have happened in the watershed

to discourage spawning perch, bluefish, Norfolk spot,

hogchokers, and rockfish. Something must have happened.

The river-hawk we often spotted hovering over water,

diving in feet first, no longer resident with kingfisher and heron.

The common osprey as a channel marker on the Severn,

collecting evidence in nests: hula hoops, rubber boots, discarded

tires. Something must have happened in that brackish runoff,

in those muddied waters where chicks starved to death.

The raptor that we knew would mate for life

flying south without laying eggs.

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Kathleen Hellen’s debut collection Umberto’s Night won the poetry prize from Washington Writers’ Publishing House. She is the author of The Only Country Was the Color of My Skin, Meet Me at the Bottom, and two chapbooks. Hellen’s poems have appeared in the Massachusetts Review, North American Review, Notre Dame Review, The Sewanee Review, Southern Humanities Review, Witness, World Literature Today, and elsewhere. Her awards include the Thomas Merton Prize for Poetry of the Sacred, and prizes from the H.O.W. Journal and Washington Square Review. Hellen’s work has been nominated multiple times for Best of the Net, the Pushcart, and recently, Best American Short Stories. Her third chapbook, young girl in the flower of time, is forthcoming in 2026 from Lily Press.

Other works by Kathleen Hellen »


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