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a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society

David Anson Lee


What the Land Still Calls Us

We stand where the surveyor
drove iron into the hill
and named it empty.

Below, the roots kept record:
each taking written in grain,
each burial folded into clay.

My grandmother said
the land remembers footsteps
longer than it remembers flags.

Even now, the ground lifts slightly
when we return:
a breath held too long.

Under asphalt, bones practice patience.
Under zoning lines, water waits.

We kneel, not to yield
but to listen.

Every name spoken aloud
loosens a seam.

The soil repeats it back,
learning us
again.


Lease Termination with Ghosts

The notice says vacate.

The walls hear forget.

 

We pack what can survive:

photographs, chipped mugs,

the plant that endured three moves

and one winter without heat.

 

Outside, the street has learned

how not to see.

 

A coffee shop blooms

where the clinic closed.

The price of air rises.

 

At night, the building exhales:

pipes ticking like knuckles,

stairs remembering knees.

 

We leave the shape of our lives

pressed faintly into dust.

 

Months later, when the luxury sign flickers,

wind walks the empty rooms,

 

carrying our footsteps

back and forth,

back and forth:

 

a language

no lease can silence.


Border Crossing, Oral Tradition

Do not run.
Let your breath sound ordinary.

Fold fear small.
Hide it behind the ribs.

Remember: borders are inventions:
the river knows nothing of them.

Step where reeds bend.
Follow animals;
they have crossed before you.

If light appears, become shadow.
If a voice calls out, become still.

Think of the place you left:
how soil warmed your hands,
how the dead knew your name.

Think of the place ahead
not as promise
but as ground you will learn.

When you arrive,
kneel once.

Touch the earth.
Begin.

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David Anson Lee is a physician, philosopher, and poet born on the Pine Ridge Indian Reservation and currently living in Texas. His work explores land, memory, displacement, ecological grief, and the moral terrain of belonging. Trained in both philosophy and medicine, he writes at the intersection of body and geography, attending to how history settles into soil, breath, and bone. His poems have appeared in numerous literary journals including Right Hand Pointing, Braided Way, Ink Sweat & Tears, Eunoia Review, Silver Birch Press, The Orchards, and Mouthful of Salt, among others. His writing often reflects Indigenous presence, environmental witness, and the quiet forms of resistance carried through language and return. Across genres, he is drawn to work that honors ancestral ground while imagining more just futures rooted in communal care and spiritual continuity.


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