after Matthew Sweeney’s ‘Donegal, Arizona’

When the plug was pulled on a fjord

bone-white barnacles left a shod line

on its grey gneiss and granite,

opposite to coal on porcelain

from the stoker’s first bath

after crossing the Atlantic.

 

As water swirled to a drain

mooring ropes coiled to rattle snakes

in undertow arroyos, where buoys sunk

to neat rows of bison skulls,

and the eiders that dove the lengths of these ropes

grew forelegs, long ears and black tails

that caught on rusty lures

of goat’s head and prickly pears;

and gillnets tangled with ossified salmon

to tumble across an alkali wash,

and outside saloons in the movies.

 

Now the stoker took a job as a fireman

on the railroad, and each time he passed above

the fjord on a bridge, he exclaimed,

I brought Lysefjorden across and painted it red!

 

Many came to see, but soon wanted more:

a settlement of undivided light

is what they wished for,

and from the desert a dazzling dome arose

to rival the horizon, with a sea’s river-thirst

in its Imperial Gulp:

 

An inhospitable place has anyhow been made

of the fjord, and those people who knew how to make

a canyon a home are in large numbers gone, and so,

the commissioner announced, we’re flooding Glen Canyon.

And the fjord was like a fjord, almost up to its mark.