a literary journal published by the Black Earth Institute dedicated to re-forging the links between art and spirit, earth and society
The Way to Eden
I scraped my legacy
as a fruit vendor
on the streets of the 7th city.
My fathers
grandfathers
assured me
every dream
lay in
Eden
& frugality would
assure my passage, but
my savings dented by
weak moments
spent with
trafficked virgins –
how had I trusted
men, all my life,
poor &
lonely? I latched to
men passing through
scheming advice for
passage.
They were convinced
easily that
I had been a husbandman,
a scribe, a perfurmer
a carver, an astronomer.
& my letters were
straight, figures near
perfect, I’d observed the
gentry & spoke on their subjects.
animals need…
little prompting.
Those bawdy men
& some intinerant masters might
jostle the plaque, but
I deferred &
parried. Oh, how they loved
to talk; I was never forced to
authencity. So
between illiterate wanderers &
unsettled experts, I
forged a documented life.
We parted
on the raucous streets of
Zion. The highway
to this rough-hewn town
before the road to
Eden was a convoy of
junked vehicles, skeletons with
hypodermics hanging from
the elbows of
their shirt sleeves. The
scent of poppies had
mounted in
the air that whole journey.
I watched the eyes of
my companions go
slowly dullard.
Mother’s pre-partum
laudanum inoculated
me against the air, if
not a fascination
with the needle. The
chastity of the journey
purged me;
my purse a bulge
against my thigh.
Clear yellow
sun crept intently
as kudzu across
the planks of
the boarding house floor.
I lifted the windows
& smelled the dying of
night fires. The highway
& 7th city seemed so
distant now
I did not want to
stay, but
I did not need to leave.
Kevin Vaughn is currently a doctoral student in English & Creative Writing at The University of Georgia. He also holds an MFA in Creative Writing from Columbia University. Kevin is a former Fulbright Fellow to Jagiellonian University in Poland and a graduate fellow of the Cave Canem Foundation. His work has appeared or is forthcoming in Callaloo, Crab Orchard Review, Harpur Palate, Mississippi Review, Mythium, Naugutuck River Review, PANK and the anthologies: “Killer Lines: Poems about Murder & Mayhem” and “The Southern Poetry Anthology, Volume V: Georgia.” He has the recipient of artistic residencies all over the world, including The Millay Colony for the Arts, Vermont Studio Center and Performing Arts Forum in Picardie, France.
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